The Silent Oracle

The Silent Oracle

Mery Zamani (Mosarz)

She who Painted the Song of Stars in Silence My journey began on April 23, 1961—the day a lifelong search for beauty, harmony, and compassion quietly began. My name is Mery Zamani, though in the sanctuary of creation I work under the artistic name Mosarz.

This is the story of a woman who has spent her life searching for the hidden architecture of harmony through poetry, painting, philosophy, and the language of the human soul. Every chapter of my life has become a brushstroke in a much larger canvas—one that eventually grew into The Silent Oracle.

The First Voice

My artistic journey began in childhood through the world of radio, where I first discovered the emotional power of sound and storytelling.

When I was only nine years old, poetry arrived naturally, almost as if the words already existed somewhere beyond me. My father believed that premature recognition could distract an artist from developing an authentic inner voice. For that reason, my poems were published anonymously in newspapers under his supervision, allowing me to grow quietly through observation, study, and solitude.

About Merry

Nature became my first teacher. 

Silence became my first language. Geometry, Astronomy, and the Hidden Order Alongside poetry, I became fascinated by mathematics, astronomy, and geometric order. The precise movement of stars and the elegance of geometry shaped the way I understood both nature and art. I later studied psychology and philosophy, yet my greatest education came from observing the invisible patterns that connect science, emotion, and creativity. This fascination with structure eventually became one of the defining characteristics of my paintings: a balance between order and freedom, symmetry and movement, logic and intuition. Japan, As a young artist, I moved to Japan, where my artistic vision expanded dramatically. There I continued studying painting while immersing myself in psychology and Buddhist philosophy. Yet some of my deepest lessons did not come from classrooms or studios. I worked inside heavy industrial factories, surrounded by steel, fire, molten metal, acid baths, and enormous machines transforming raw iron into precise forms. Watching rigid steel bend, burn, dissolve, and emerge stronger forever changed my understanding of beauty. I realized that strength is born through transformation, and that justice, equality, and compassion are often forged through hardship.

Art in Service of Humanity

Throughout my career, I have believed that art should serve people. Much of the income from my paintings has been dedicated to helping equip surgical operating rooms and supporting children, women, and people facing hardship. During difficult years, I also painted outside prison walls. Prison guards often purchased my paintings, and I used that money to provide food and basic necessities for prisoners who had no family or support. For me, kindness has always been another form of art. Recognition Over the years, my paintings have entered private collections and have been exhibited internationally. My work has been featured in exhibitions in Japan, Iran, and the United States. Several media outlets, including Voice of America Persian, have written about my exhibitions and artistic philosophy.

Two of my paintings were presented to Emperor Akihito of Japan, accompanied by two original haiku poems. According to reports published at the time, one of my paintings, Autumn, was displayed for a period in the White House collection during the presidency of Bill Clinton. Throughout the years, I have also attended cultural events where I met distinguished public figures, including President Barack Obama and legendary music producer Quincy Jones.

The Silent Oracle

Today, all those years of poetry, painting, philosophy, compassion, and lived experience have come together in one life’s work:

The Silent Oracle.Seventy-seven original paintings.

Seventy-seven artistic interpretations.

Seventy-seven poems.

Seventy-seven intuitive messages. The Silent Oracle is more than a book. It is the beginning of a living world where painting, sculpture, poetry, architecture, gardens, music, and nature exist as one. Every page invites the viewer not simply to observe art, but to enter it—to listen, to reflect, and to discover the quiet thread that connects humanity through beauty, imagination, and hope.

The Silent Oracle